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Tolkien seems to have been well acquinted with the works of Wagner. Together with his friends in the Kolbítar Club, Tolkien studied the works of Wagner during the late 1920s. Another member of the club, C.S. Lewis, was an avid fan of Wagner, and collected recordings of Wagner, owned illustrations by Arthur Rackham (a British illustrator, often depicting scenes from the works of Wagner), dreamt about turning the Ring into prose, and took Tolkien to London to see a staging of the Ring. During the 1930s, Lewis and Tolkien apparently began working on a translation of Die Walküre.
In the scholarly study of J.R.R. Tolkien, Wagner is mostly mentioned in the context of the apparent similarities between Der Ring des Nibelungen, Wagner's tetralogy of epic operas based on the Norse sagas and the Nibelungenlied, and The Lord of the Rings.
 See also
- ↑ Andrew Lazo, "Gathered Round Northern Fires: The Imaginative Impact of the Kolbítar", in Chance 2004
- ↑ Humphrey Carpenter, The Inklings, p. 56 (note 1)
- ↑ Andrew Lazo, "Gathered Round Northern Fires: The Imaginative Impact of the Kolbítar", p.197
- ↑ Christine Chism, "Middle-Earth, the Middle Ages, and the Aryan Nation: Myth and History in World War II", in Chance 2003, p.75f
- ↑ Stefan Arvidsson, Draksjukan. Mytiska fantasier hos Tolkien, Wagner och de Vries, p.148
- ↑ Alex Ross, "The Ring and the Rings: Wagner vs. Tolkien", in The New Yorker, December 22, 2003