Tulkastor: Difference between revisions
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'''Tulkastor''' was the father of [[Vairë]], an [[Elf]] of [[Tol Eressëa]], and the wife of [[Lindo]], the keeper of the [[Cottage of Lost Play]].<ref>{{LT1|I}}, p. 16</ref> The [[ | '''Tulkastor''' was the father of [[Vairë (wife of Lindo)|Vairë]], an [[Elf]] of [[Tol Eressëa]]; he was also the grandfather of [[Naimi]], and an ancestor of [[Heorrenda]]. Vairë became the wife of [[Lindo]], the keeper of the [[Cottage of Lost Play]].<ref>{{LT1|I}}, p. 16</ref> | ||
The [[Gnomish]] form of his name was ''Tulchathron''.<ref>{{PE|15}}, p. 7</ref> | |||
== Genealogy == | == Genealogy == | ||
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</div> | </div> | ||
== Other | == Other versions of the legendarium == | ||
Originally the name of the character was '''Turenbor''', later changed to '''Tulkassë''' and finally to Tulkastor.<ref>{{LT1|In}}, p. 22</ref> | Originally the name of the character was '''Turenbor''', later changed to '''Tulkassë''' and finally to Tulkastor.<ref>{{LT1|In}}, p. 22</ref> | ||
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[[Category:Characters in The Book of Lost Tales]] | [[Category:Characters in The Book of Lost Tales]] | ||
[[Category:Elves]] | [[Category:Elves]] | ||
[[Category:Qenya names]] | |||
Revision as of 09:34, 22 January 2021
Template:Gnomes infobox Tulkastor was the father of Vairë, an Elf of Tol Eressëa; he was also the grandfather of Naimi, and an ancestor of Heorrenda. Vairë became the wife of Lindo, the keeper of the Cottage of Lost Play.[1]
The Gnomish form of his name was Tulchathron.[2]
Genealogy
Other versions of the legendarium
Originally the name of the character was Turenbor, later changed to Tulkassë and finally to Tulkastor.[3]
References
- ↑ J.R.R. Tolkien, Christopher Tolkien (ed.), The Book of Lost Tales Part One, "I. The Cottage of Lost Play", p. 16
- ↑ J.R.R. Tolkien, "Sí Qente Feanor and Other Elvish Writings", in Parma Eldalamberon XV (edited by Christopher Gilson, Arden R. Smith, Patrick H. Wynne, and Bill Welden), p. 7
- ↑ J.R.R. Tolkien, Christopher Tolkien (ed.), The Book of Lost Tales Part One, "I. The Cottage of Lost Play": "Notes and Commentary", p. 22
